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Bed of Roses

Bed of Roses

Drama · Romance · 1996

The seeds of love are planted when Lisa, a high-powered investment banker, receives flowers from a secret admirer. But when his fairy-tale fantasies clash with her workaholic ways, they soon find out that sometimes, it's harder than it seems for love to conquer all.

Movie details

Bed of Roses

“He gave her flowers. She gave him a chance.”

1996 Drama · Romance 1h 27m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

The seeds of love are planted when Lisa, a high-powered investment banker, receives flowers from a secret admirer. But when his fairy-tale fantasies clash with her workaholic ways, they soon find out that sometimes, it's harder than it seems for love to conquer all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bed of Roses?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Goldenberg

Written by

Michael Goldenberg

Christian Slater

Christian Slater

Lewis Farrell

Mary Stuart Masterson

Mary Stuart Masterson

Lisa Walker

Pamela Adlon

Pamela Adlon

Kim

Josh Brolin

Josh Brolin

Danny

Brian Tarantina

Brian Tarantina

Randy

Debra Monk

Debra Monk

Lewis' Mom

Mary Alice

Mary Alice

Alice

Court is in session

Put Bed of Roses on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.