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Disappearing Acts

Disappearing Acts

TV Movie · Romance · Drama · 2000

A struggling construction worker and an aspiring musician find themselves falling in love.

Movie details

Disappearing Acts

“Real love. Real life.”

2000 TV Movie · Romance · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A struggling construction worker and an aspiring musician find themselves falling in love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Disappearing Acts?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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In the 1930s, British officer John Truscott journeys to a remote village in colonial Malaysia to educate and Westernize the local Iban population. There, he's introduced to the lovely Selima. In keeping with tradition, Selima is assigned to sleep with Truscott and teach him the native language and customs. But when they fall in love, both colonists and natives object to their plans to marry.

Departure

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The Lost Husband

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Endless Love

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Where it lives

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Names above the title

The people responsible.

Directed by

Gina Prince-Bythewood

Written by

Lisa Jones

Sanaa Lathan

Sanaa Lathan

Zora Banks

Wesley Snipes

Wesley Snipes

Franklin Swift

Michael Imperioli

Michael Imperioli

Vinney

Laz Alonso

Laz Alonso

Moving Man

Clark Johnson

Clark Johnson

Jimmy

Regina Hall

Regina Hall

Portia

Lisa Arrindell

Lisa Arrindell

Claudette

Court is in session

Put Disappearing Acts on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.