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Hallelujah!

Hallelujah!

Comedy · 2009

Following his release from a seven-year stretch in prison, Mario Diccara discovers that his affairs with the underworld aren't completely settled. His brother Patrick, a priest, suggests that he stays with elderly Father Etienne in a small village in Ardeche until the conflict blows over. But their plan takes an unexpected turn when Father Etienne dies.

Movie details

Hallelujah!

2009 Comedy 1h 31m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Following his release from a seven-year stretch in prison, Mario Diccara discovers that his affairs with the underworld aren't completely settled. His brother Patrick, a priest, suggests that he stays with elderly Father Etienne in a small village in Ardeche until the conflict blows over. But their plan takes an unexpected turn when Father Etienne dies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hallelujah!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roger Delattre

Written by

Jean-Marie Bigard · Philippe Giangreco

Jean-Marie Bigard

Jean-Marie Bigard

Mario Diccara

David Strajmayster

David Strajmayster

Patrick

Aïssatou Thiam

Aïssatou Thiam

Nadine

Jean Dell

Jean Dell

Gendarmerie Captain

Michel Chesneau

Michel Chesneau

Mayor

B

Benjamin Feitelson

Roger

Jean-Gilles Barbier

Jean-Gilles Barbier

André

Court is in session

Put Hallelujah! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.