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The Nannies

The Nannies

Comedy · 2022

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

Movie details

The Nannies

2022 Comedy 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Nannies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Julien Rambaldi

Written by

Jean-Luc Gaget · Julien Rambaldi

Eye Haïdara

Eye Haïdara

Angèle

Ahmed Sylla

Ahmed Sylla

Edouard

Léa Drucker

Léa Drucker

Hélène

Vidal Arzoni

Vidal Arzoni

Arthur

Élodie Navarre

Élodie Navarre

Claire

Marc Zinga

Marc Zinga

Koffi

Bwanga Pilipili

Bwanga Pilipili

Wassia

Court is in session

Put The Nannies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.