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The Visitors

The Visitors

Fantasy · Comedy · 1993

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

Movie details

The Visitors

“They weren't born yesterday!”

1993 Fantasy · Comedy 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Visitors?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean-Marie Poiré

Written by

Christian Clavier · Jean-Marie Poiré

Jean Reno

Jean Reno

Comte Godefroy de Montmirail

Christian Clavier

Christian Clavier

Jacquouille la Fripouille / Jacques-Henri Jacquard

Valérie Lemercier

Valérie Lemercier

Frénégonde de Pouille / Béatrice de Montmirail

Marie-Anne Chazel

Marie-Anne Chazel

Ginette Sarcley

Christian Bujeau

Christian Bujeau

Jean-Pierre Goulard

Isabelle Nanty

Isabelle Nanty

Fabienne Morlot

Gérard Séty

Gérard Séty

Edgar Bernay

Court is in session

Put The Visitors on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.