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The Boxer

The Boxer

Drama · Romance · 1997

Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer.

Movie details

The Boxer

“Love is always worth fighting for.”

1997 Drama · Romance 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Boxer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jim Sheridan

Written by

Jim Sheridan · Terry George

Daniel Day-Lewis

Daniel Day-Lewis

Danny Flynn

Emily Watson

Emily Watson

Maggie Hamill

Brian Cox

Brian Cox

Joe Hamill

Ken Stott

Ken Stott

Ike Weir

Gerard McSorley

Gerard McSorley

Harry

David Hayman

David Hayman

Joe Hamill's Aide

Kenneth Cranham

Kenneth Cranham

Matt MaGuire

Court is in session

Put The Boxer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.