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The Mustang

The Mustang

Drama · 2019

While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.

Movie details

The Mustang

2019 Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mustang?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Running Wild

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Stella Davis is a widow who saves her ranch by working with convicts to rehabilitate a herd of wild horses that wandered on to her property. Stella must fight prejudice, greed, bureaucracy and vanity (including her own) to finally understand that there is no better remedy to misfortune than helping another living creature.

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Brubaker

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Names above the title

The people responsible.

Directed by

Laure de Clermont-Tonnerre

Written by

Brock Norman Brock · Laure de Clermont-Tonnerre

Matthias Schoenaerts

Matthias Schoenaerts

Roman Coleman

Jason Mitchell

Jason Mitchell

Henry

Gideon Adlon

Gideon Adlon

Martha

Connie Britton

Connie Britton

Psychologist

Bruce Dern

Bruce Dern

Myles

Josh Stewart

Josh Stewart

Dan

Noel Gugliemi

Noel Gugliemi

Roberto

Court is in session

Put The Mustang on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.