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Flowers in the Attic

Flowers in the Attic

Drama · Mystery · Thriller · 1987

After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.

Movie details

Flowers in the Attic

“Home sweet home is murder.”

1987 Drama · Mystery · Thriller 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Flowers in the Attic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jeffrey Bloom

Written by

Jeffrey Bloom

Louise Fletcher

Louise Fletcher

Olivia Foxworth

Victoria Tennant

Victoria Tennant

Corrine Dollanganger

Kristy Swanson

Kristy Swanson

Cathy Dollanganger

Jeb Stuart Adams

Jeb Stuart Adams

Chris Dollanganger

Ben Ryan Ganger

Ben Ryan Ganger

Cory

Lindsay Parker

Lindsay Parker

Carrie

Nathan Davis

Nathan Davis

Grandfather

Court is in session

Put Flowers in the Attic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.