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Grumpier Old Men

Grumpier Old Men

Romance · Comedy · 1995

A family wedding reignites the ancient feud between next-door neighbors and fishing buddies John and Max. Meanwhile, a sultry Italian divorcée opens a restaurant at the local bait shop, alarming the locals who worry she'll scare the fish away. But she's less interested in seafood than she is in cooking up a hot time with Max.

Movie details

Grumpier Old Men

“Still Yelling. Still Fighting. Still Ready for Love.”

1995 Romance · Comedy 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A family wedding reignites the ancient feud between next-door neighbors and fishing buddies John and Max. Meanwhile, a sultry Italian divorcée opens a restaurant at the local bait shop, alarming the locals who worry she'll scare the fish away. But she's less interested in seafood than she is in cooking up a hot time with Max.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Grumpier Old Men?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Howard Deutch

Written by

Mark Steven Johnson

Walter Matthau

Walter Matthau

Max Goldman

Jack Lemmon

Jack Lemmon

John Gustafson

Ann-Margret

Ann-Margret

Ariel Gustafson

Sophia Loren

Sophia Loren

Maria Sophia Coletta Ragetti

Daryl Hannah

Daryl Hannah

Melanie Gustafson

Burgess Meredith

Burgess Meredith

Grandpa Gustafson

Kevin Pollak

Kevin Pollak

Jacob Goldman

Court is in session

Put Grumpier Old Men on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.