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London to Brighton

London to Brighton

Crime · Drama · Thriller · 2006

After a violent confrontation leaves a wealthy man bleeding to death, two distressed women seek refuge in a rundown London bathroom, setting off a desperate hunt as both the victim's seeking son and a ruthless pimp race to track them down.

Movie details

London to Brighton

“Innocence has nowhere to hide”

2006 Crime · Drama · Thriller 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

After a violent confrontation leaves a wealthy man bleeding to death, two distressed women seek refuge in a rundown London bathroom, setting off a desperate hunt as both the victim's seeking son and a ruthless pimp race to track them down.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over London to Brighton?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Andrew Williams

Written by

Paul Andrew Williams

Georgia Groome

Georgia Groome

Joanne

Johnny Harris

Johnny Harris

Derek

Sam Spruell

Sam Spruell

Stuart Allen

Lorraine Stanley

Lorraine Stanley

Kelly

Alexander Morton

Alexander Morton

Duncan Allen

N

Nathan Constance

Chum

Jamie Kenna

Jamie Kenna

Tony

Court is in session

Put London to Brighton on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.