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Crimes of Passion

Crimes of Passion

Crime · Drama · Thriller · 1984

Fashion designer Joanna Crane leads a double life. By night she is China Blue, a prostitute who's attracted the attention of a sexually frustrated private detective, and a psychopathic priest in possession of a murderous sex toy.

Movie details

Crimes of Passion

“It's a Lovely Life.”

1984 Crime · Drama · Thriller 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Fashion designer Joanna Crane leads a double life. By night she is China Blue, a prostitute who's attracted the attention of a sexually frustrated private detective, and a psychopathic priest in possession of a murderous sex toy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Crimes of Passion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ken Russell

Written by

Barry Sandler

Kathleen Turner

Kathleen Turner

Joanna Crane / China Blue

Anthony Perkins

Anthony Perkins

Reverend Peter Shayne

John Laughlin

John Laughlin

Bobby Grady

Annie Potts

Annie Potts

Amy Grady

Bruce Davison

Bruce Davison

Donny Hopper

Norman Burton

Norman Burton

Lou Bateman

Stephen Lee

Stephen Lee

Jerry

Court is in session

Put Crimes of Passion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.