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True Confessions

True Confessions

Crime · Drama · 1981

A cop clashes with his priest brother while investigating the brutal murder of a young prostitute.

Movie details

True Confessions

“Two brothers out to save everyone else. But they couldn't save each other.”

1981 Crime · Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A cop clashes with his priest brother while investigating the brutal murder of a young prostitute.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over True Confessions?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Client

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Primal Fear

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Finestkind

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Two brothers from opposite sides of the tracks are reunited as adults. Desperate circumstances force them into a deal with an organized crime syndicate in Boston, and a young woman gets caught in the middle.

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Names above the title

The people responsible.

Directed by

Ulu Grosbard

Written by

John Gregory Dunne · Joan Didion

Robert De Niro

Robert De Niro

Father Des Spellacy

Robert Duvall

Robert Duvall

Det. Tom Spellacy

Charles Durning

Charles Durning

Jack Amsterdam

Kenneth McMillan

Kenneth McMillan

Frank Crotty

Ed Flanders

Ed Flanders

Dan T. Campion

Cyril Cusack

Cyril Cusack

Cardinal Danaher

Burgess Meredith

Burgess Meredith

Msgr. Seamus Fargo

Court is in session

Put True Confessions on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.