The defence The Prestige Tourist
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
Back to trending 
The Godfather Trilogy: 1901-1980
Crime · Drama · 1992
Following the release of Part III in 1990, Coppola, Barry Malkin, and Walter Murch edited the three films into chronological order to create this nearly ten-hour epic, incorporating scenes not part of the theatrical releases.
Movie details
The Godfather Trilogy: 1901-1980
1992 Crime · Drama 9h 43m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
8.9 / 10
Community rating
Following the release of Part III in 1990, Coppola, Barry Malkin, and Walter Murch edited the three films into chronological order to create this nearly ten-hour epic, incorporating scenes not part of the theatrical releases.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Godfather Trilogy: 1901-1980?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
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Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Francis Ford Coppola
Written by
Francis Ford Coppola · Mario Puzo
Al Pacino
Don Michael Corleone
Robert Duvall
Tom Hagen
Diane Keaton
Kay Adams-Corleone
Talia Shire
Connie Corleone-Rizzi
Marlon Brando
Don Vito Corleone
James Caan
Sonny Corleone
John Cazale
Fredo Corleone
Court is in session
Put The Godfather Trilogy: 1901-1980 on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.