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The Long Good Friday

The Long Good Friday

Crime · Thriller · Drama · 1980

In the late 1970s, Cockney crime boss Harold Shand, a gangster trying to become a legitimate property mogul, has big plans to get the American Mafia to bankroll his transformation of a derelict area of London into the possible venue for a future Olympic Games. However, a series of bombings targets his empire on the very weekend the Americans are in town. Shand is convinced there is a traitor in his organization, and sets out to eliminate the rat in typically ruthless fashion.

Movie details

The Long Good Friday

“Who lit the fuse that tore Harold's world apart?”

1980 Crime · Thriller · Drama 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In the late 1970s, Cockney crime boss Harold Shand, a gangster trying to become a legitimate property mogul, has big plans to get the American Mafia to bankroll his transformation of a derelict area of London into the possible venue for a future Olympic Games. However, a series of bombings targets his empire on the very weekend the Americans are in town. Shand is convinced there is a traitor in his organization, and sets out to eliminate the rat in typically ruthless fashion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Long Good Friday?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Mackenzie

Written by

Barrie Keeffe

Bob Hoskins

Bob Hoskins

Harold Shand

Helen Mirren

Helen Mirren

Victoria

Dave King

Dave King

Parky

Bryan Marshall

Bryan Marshall

Harris

Derek Thompson

Derek Thompson

Jeff

Eddie Constantine

Eddie Constantine

Charlie

Paul Freeman

Paul Freeman

Colin

Court is in session

Put The Long Good Friday on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.