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Lucky Number Slevin

Lucky Number Slevin

Drama · Thriller · Crime · 2006

Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.

Movie details

Lucky Number Slevin

“Wrong time. Wrong place. Wrong number.”

2006 Drama · Thriller · Crime 1h 50m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lucky Number Slevin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul McGuigan

Written by

Jason Smilovic

Josh Hartnett

Josh Hartnett

Slevin

Morgan Freeman

Morgan Freeman

The Boss

Ben Kingsley

Ben Kingsley

The Rabbi

Lucy Liu

Lucy Liu

Lindsey

Bruce Willis

Bruce Willis

Mr. Goodkat

Stanley Tucci

Stanley Tucci

Det. Brikowski

Mykelti Williamson

Mykelti Williamson

Sloe

Court is in session

Put Lucky Number Slevin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.