The defence The Adrenaline Seeker
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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We Are Zombies
Horror · Comedy · Thriller · 2024
In a city infested with the LIVING-IMPAIRED aka non-cannibal zombies - three slackers after easy money must fight small-time crooks and an evil megacorporation to save their kidnapped grandma.
Movie details
We Are Zombies
2024 Horror · Comedy · Thriller 1h 20m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
In a city infested with the LIVING-IMPAIRED aka non-cannibal zombies - three slackers after easy money must fight small-time crooks and an evil megacorporation to save their kidnapped grandma.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over We Are Zombies?
For the defence
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Yoann-Karl Whissell · Anouk Whissell · François Simard
Written by
Anouk Whissell · Yoann-Karl Whissell · François Simard
Alexandre Nachi
Karl Neard
Derek Johns
Freddy Mercks
Megan Peta Hill
Maggie
Vincent Leclerc
Seth Mckenna
Benz Antoine
Hannity
Carlo Mestroni
Don
Guy Nadon
Bob Coleman
Court is in session
Put We Are Zombies on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.