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Little Monsters

Little Monsters

Horror · Comedy · 2019

A washed-up musician teams up with a teacher and a kids show personality to protect young children from a sudden outbreak of zombies.

Movie details

Little Monsters

“Playtime is over.”

2019 Horror · Comedy 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A washed-up musician teams up with a teacher and a kids show personality to protect young children from a sudden outbreak of zombies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Little Monsters?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Night of the Demons

Night of the Demons

Horror · 1988

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Night of the Demons 2

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Horror · 1994

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Anna and the Apocalypse

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Creepshow

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Night of the Animated Dead

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Boo! A Madea Halloween

Boo! A Madea Halloween

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Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.

Where it lives

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Names above the title

The people responsible.

Directed by

Abe Forsythe

Written by

Abe Forsythe

Lupita Nyong'o

Lupita Nyong'o

Miss Caroline

Alexander England

Alexander England

Dave

Josh Gad

Josh Gad

Teddy McGiggle

Diesel La Torraca

Diesel La Torraca

Felix

Kat Stewart

Kat Stewart

Tess

Nadia Townsend

Nadia Townsend

Sara

Marshall Napier

Marshall Napier

Army General

Court is in session

Put Little Monsters on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.