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Parents

Parents

Horror · Comedy · 1989

Michael is a young boy living in a typical 1950s suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.

Movie details

Parents

“There's A New Name For Terror...”

1989 Horror · Comedy 1h 22m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Michael is a young boy living in a typical 1950s suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Parents?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Trapped inside a fortified home owned by a mysterious couple, a young boy quickly learns the true nature of the homicidal inhabitants, and secret creatures hidden deep within the walls.

Eli

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Multiple Maniacs

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Names above the title

The people responsible.

Directed by

Bob Balaban

Written by

Christopher Hawthorne

Randy Quaid

Randy Quaid

Nick Laemle

Mary Beth Hurt

Mary Beth Hurt

Lily Laemle

Sandy Dennis

Sandy Dennis

Millie Dew

B

Bryan Madorsky

Michael Laemle

J

Juno Mills-Cockell

Sheila Zellner

Kathryn Grody

Kathryn Grody

Miss Judith Baxter

Deborah Rush

Deborah Rush

Mrs. Gladys Zellner

Court is in session

Put Parents on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.