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The People Under the Stairs

The People Under the Stairs

Horror · Comedy · Thriller · 1991

Trapped inside a fortified home owned by a mysterious couple, a young boy quickly learns the true nature of the homicidal inhabitants, and secret creatures hidden deep within the walls.

Movie details

The People Under the Stairs

“In every neighborhood, there is one house that adults whisper about and children cross the street to avoid.”

1991 Horror · Comedy · Thriller 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Trapped inside a fortified home owned by a mysterious couple, a young boy quickly learns the true nature of the homicidal inhabitants, and secret creatures hidden deep within the walls.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The People Under the Stairs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Funny Games

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Alone in the Dark

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Come to Daddy

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Where it lives

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Names above the title

The people responsible.

Directed by

Wes Craven

Written by

Wes Craven

Brandon Quintin Adams

Brandon Quintin Adams

Fool

Everett McGill

Everett McGill

Man

Wendy Robie

Wendy Robie

Woman

A. J. Langer

A. J. Langer

Alice

Ving Rhames

Ving Rhames

Leroy

Sean Whalen

Sean Whalen

Roach

Bill Cobbs

Bill Cobbs

Grandpa Booker

Court is in session

Put The People Under the Stairs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.