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Fright

Fright

Horror · Thriller · 1971

Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda's nerves on edge. The real terror begins, however, when the child's biological father appears after recently escaping from a nearby mental institution.

Movie details

Fright

“The scream you can hear is your own”

1971 Horror · Thriller 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda's nerves on edge. The real terror begins, however, when the child's biological father appears after recently escaping from a nearby mental institution.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fright?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A college student returns home for the weekend and reluctantly takes a babysitting job after a local babysitter is brutally murdered. When the town’s sheriff receives chilling evidence that the killing wasn’t an isolated incident, a deadly night unfolds as a masked killer sets the stage for another attack.

Shades of Desire

Shades of Desire

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After her twin sister Aubrey goes missing, Jennifer uncovers the scandalous, secret double-life that Aubrey leads - and that has put both of them in danger.

Funny Games

Funny Games

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When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.

The Stepfather

The Stepfather

Horror · 1987

Seemingly mild-mannered Henry Morrison has just murdered his entire family. After adopting a new identity and skipping town, he begins building a new relationship with a widow and her teenage daughter. However, he soon begins struggling to hide his true identity and maintain a grip on reality.

Haunt

Haunt

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On Halloween, a group of friends encounter an extreme haunted house that promises to feed on their darkest fears. The night turns deadly as they come to the horrifying realisation that some nightmares are real.

Bone Lake

Bone Lake

Horror · 2025

A couple’s romantic vacation at a secluded lakeside estate is upended when they are forced to share the mansion with a mysterious and attractive couple. In this darkly hilarious and seductive horror story, a dream getaway spirals into a nightmarish maze of sex, lies, and manipulation, bringing terrifying secrets to light and triggering a bloody battle for survival.

Hellraiser

Hellraiser

Horror · 1987

A hedonistic man finds a mysterious puzzle box that summons a group of gruesome beings known as the Cenobites. These otherworldly entities open the doors to a dominion where pain and pleasure are indivisible.

Strange Darling

Strange Darling

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Nothing is what it seems when a twisted one-night stand spirals into a serial killer’s vicious murder spree.

Mother's Day

Mother's Day

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Crazed members of a sadistic family return to their childhood home to terrorize the new owners.

Where it lives

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Names above the title

The people responsible.

Directed by

Peter Collinson

Written by

Tudor Gates

Susan George

Susan George

Amanda

Honor Blackman

Honor Blackman

Helen

Ian Bannen

Ian Bannen

Brian

John Gregson

John Gregson

Dr. Cordell

George Cole

George Cole

Jim

Dennis Waterman

Dennis Waterman

Chris

T

Tara Collinson

Tara

Court is in session

Put Fright on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.