The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Sundown: The Vampire in Retreat
Comedy · Horror · 1991
Reclusive vampires lounge in a lonely American town. They wear sunscreen to protect themselves. A descendant of Van Helsing arrives with hilarious consequences.
Movie details
Sundown: The Vampire in Retreat
“There's two kinds of folks in the town of purgatory. Vampires and lunch.”
1991 Comedy · Horror 1h 44m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
Reclusive vampires lounge in a lonely American town. They wear sunscreen to protect themselves. A descendant of Van Helsing arrives with hilarious consequences.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Sundown: The Vampire in Retreat?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Fright Night Part 2
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Vampire's Kiss
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Anthony Hickox
Written by
Anthony Hickox · John Burgess
David Carradine
Mardulak
Morgan Brittany
Sarah
Bruce Campbell
Van Helsing
Deborah Foreman
Sandy
Jim Metzler
David
Maxwell Caulfield
Shane
M. Emmet Walsh
Mort
Court is in session
Put Sundown: The Vampire in Retreat on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.