“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Far and Away
Adventure · Drama · Romance · 1992
A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.
Far and Away
“What they needed was a country big enough for their dreams.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Far and Away?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Ron Howard
Written by
Bob Dolman · Ron Howard
Put Far and Away on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






