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Far and Away

Far and Away

Adventure · Drama · Romance · 1992

A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.

Movie details

Far and Away

“What they needed was a country big enough for their dreams.”

1992 Adventure · Drama · Romance 2h 20m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Far and Away?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ron Howard

Written by

Bob Dolman · Ron Howard

Tom Cruise

Tom Cruise

Joseph Donnelly

Nicole Kidman

Nicole Kidman

Shannon Christie

Thomas Gibson

Thomas Gibson

Stephen Chase

Robert Prosky

Robert Prosky

Daniel Christie

Barbara Babcock

Barbara Babcock

Nora Christie

Cyril Cusack

Cyril Cusack

Danty Duff

Eileen Pollock

Eileen Pollock

Mary Kay

Court is in session

Put Far and Away on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.