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Legends of the Fall

Legends of the Fall

Drama · Western · Romance · 1994

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

Movie details

Legends of the Fall

“After the Fall from Innocence the Legend begins.”

1994 Drama · Western · Romance 2h 13m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Legends of the Fall?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Edward Zwick

Written by

Susan Shilliday · William D. Wittliff

Brad Pitt

Brad Pitt

Tristan Ludlow

Anthony Hopkins

Anthony Hopkins

Col. William Ludlow

Aidan Quinn

Aidan Quinn

Alfred Ludlow

Julia Ormond

Julia Ormond

Susannah Fincannon Ludlow

Henry Thomas

Henry Thomas

Samuel Ludlow

Karina Lombard

Karina Lombard

Isabel Two Decker Ludlow

Gordon Tootoosis

Gordon Tootoosis

One Stab

Court is in session

Put Legends of the Fall on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.