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The Dead Don't Hurt

The Dead Don't Hurt

Western · Drama · 2024

In the 1860s, fiercely independent French-Canadian Vivienne Le Coudy embarks on a journey with Danish immigrant Holger Olsen, attempting to forge a life together in the dusty town of Elk Flats, Nevada. When Holger decides to go fight for the Union in the burgeoning Civil War, Vivienne must fend for herself, which isn't easy in a town controlled by a corrupt mayor.

Movie details

The Dead Don't Hurt

2024 Western · Drama 2h 10m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

In the 1860s, fiercely independent French-Canadian Vivienne Le Coudy embarks on a journey with Danish immigrant Holger Olsen, attempting to forge a life together in the dusty town of Elk Flats, Nevada. When Holger decides to go fight for the Union in the burgeoning Civil War, Vivienne must fend for herself, which isn't easy in a town controlled by a corrupt mayor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Dead Don't Hurt?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Western · 1966

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Names above the title

The people responsible.

Directed by

Viggo Mortensen

Written by

Viggo Mortensen

Vicky Krieps

Vicky Krieps

Vivienne Le Coudy

Viggo Mortensen

Viggo Mortensen

Holger Olsen

Solly McLeod

Solly McLeod

Weston Jeffries

Garret Dillahunt

Garret Dillahunt

Alfred Jeffries

Danny Huston

Danny Huston

Rudolph Schiller

W. Earl Brown

W. Earl Brown

Alan Kendall

Shane Graham

Shane Graham

Billy Crossley

Court is in session

Put The Dead Don't Hurt on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Adrenaline Seeker

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.