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The Wild One

The Wild One

Drama · Crime · Romance · 1953

The Black Rebels Motorcycle Club ride into the small California town of Wrightsville, eager to raise hell. Brooding gang leader Johnny Strabler takes a liking to Kathie, the daughter of the local lawman, as another club rolls into town.

Movie details

The Wild One

“Hot feelings hit terrifying heights in a story that really boils over!”

1953 Drama · Crime · Romance 1h 19m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

The Black Rebels Motorcycle Club ride into the small California town of Wrightsville, eager to raise hell. Brooding gang leader Johnny Strabler takes a liking to Kathie, the daughter of the local lawman, as another club rolls into town.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wild One?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

László Benedek

Written by

John Paxton · Frank Rooney

Marlon Brando

Marlon Brando

Johnny Strabler

Mary Murphy

Mary Murphy

Kathie Bleeker

Robert Keith

Robert Keith

Sheriff Harry Bleeker

Lee Marvin

Lee Marvin

Chino

Jay C. Flippen

Jay C. Flippen

Sheriff Stew Singer

Peggy Maley

Peggy Maley

Mildred

Hugh Sanders

Hugh Sanders

Charlie Thomas

Court is in session

Put The Wild One on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.