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Silverado

Silverado

Western · Action · Drama · 1985

Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.

Movie details

Silverado

“Four strangers become friends. Four friends become heroes. On the road to Silverado.”

1985 Western · Action · Drama 2h 13m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Silverado?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Lawrence Kasdan

Written by

Lawrence Kasdan · Mark Kasdan

Kevin Kline

Kevin Kline

Paden

Scott Glenn

Scott Glenn

Emmett

Danny Glover

Danny Glover

Malachi 'Mal' Johnson

Kevin Costner

Kevin Costner

Jake

Brian Dennehy

Brian Dennehy

Cobb

Rosanna Arquette

Rosanna Arquette

Hannah

John Cleese

John Cleese

Sheriff John T. Langston

Court is in session

Put Silverado on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.