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Shane

Shane

Drama · Western · 1953

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

Movie details

Shane

“The greatest story of the West ever filmed!”

1953 Drama · Western 1h 58m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Shane?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Rio Bravo

Rio Bravo

Western · 1959

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Drums Along the Mohawk

Drums Along the Mohawk

Drama · 1939

Albany, New York, 1776. After marrying, Gil and Lana travel north to settle on a small farm in the Mohawk River Valley, but soon their growing prosperity and happiness are threatened by the sinister sound of drums that announce dark times of revolution and war.

Rancho Notorious

Rancho Notorious

Drama · 1952

A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.

The Dead Don't Hurt

The Dead Don't Hurt

Western · 2024

In the 1860s, fiercely independent French-Canadian Vivienne Le Coudy embarks on a journey with Danish immigrant Holger Olsen, attempting to forge a life together in the dusty town of Elk Flats, Nevada. When Holger decides to go fight for the Union in the burgeoning Civil War, Vivienne must fend for herself, which isn't easy in a town controlled by a corrupt mayor.

High Noon

High Noon

Western · 1952

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

The Outlaw Josey Wales

The Outlaw Josey Wales

Western · 1976

After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.

Open Range

Open Range

Western · 2003

A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.

The Naked Spur

The Naked Spur

Western · 1953

A bounty hunter trying to bring a murderer to justice is forced to accept the help of two less-than-trustworthy strangers.

3:10 to Yuma

3:10 to Yuma

Western · 1957

Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.

Day of the Outlaw

Day of the Outlaw

Western · 1959

Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.

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Names above the title

The people responsible.

Directed by

George Stevens

Written by

A.B. Guthrie Jr.

Alan Ladd

Alan Ladd

Shane

Jean Arthur

Jean Arthur

Marian Starrett

Van Heflin

Van Heflin

Joe Starrett

Brandon De Wilde

Brandon De Wilde

Joey Starrett

Jack Palance

Jack Palance

Jack Wilson

Ben Johnson

Ben Johnson

Chris Calloway

Edgar Buchanan

Edgar Buchanan

Fred Lewis

Court is in session

Put Shane on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.