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A Room with a View

A Room with a View

Drama · Romance · 1986

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

Movie details

A Room with a View

“An Edwardian Romance”

1986 Drama · Romance 1h 57m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Room with a View?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

James Ivory

Written by

Ruth Prawer Jhabvala

Helena Bonham Carter

Helena Bonham Carter

Lucy Honeychurch

Julian Sands

Julian Sands

George Emerson

Maggie Smith

Maggie Smith

Charlotte Bartlett

Denholm Elliott

Denholm Elliott

Mr. Emerson

Daniel Day-Lewis

Daniel Day-Lewis

Cecil Vyse

Simon Callow

Simon Callow

The Reverend Mr. Beebe

Rosemary Leach

Rosemary Leach

Mrs. Honeychurch

Court is in session

Put A Room with a View on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.