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The Go-Between

The Go-Between

Drama · Romance · 1971

British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

Movie details

The Go-Between

“In those days, you fell in love with your own class. Or found a Go-Between.”

1971 Drama · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Go-Between?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joseph Losey

Written by

Harold Pinter

Julie Christie

Julie Christie

Lady Marian Trimingham

Alan Bates

Alan Bates

Ted Burgess

Edward Fox

Edward Fox

Hugh Trimingham

Michael Redgrave

Michael Redgrave

The Older Leo Colston

Dominic Guard

Dominic Guard

The Young Leo Colston

Margaret Leighton

Margaret Leighton

Mrs Maudsley

Michael Gough

Michael Gough

Mr Maudsley

Court is in session

Put The Go-Between on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.