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The Mean One

The Mean One

Horror · Comedy · 2022

In a sleepy mountain town, Cindy witnesses the murder of her parents by a blood-thirsty green figure in a red Santa suit. Twenty years later, the Christmas-hating monster begins to terrorize the town once more. Cindy finds new purpose in stopping the creature and saving the holiday.

Movie details

The Mean One

“Slashing through the snow.”

2022 Horror · Comedy 1h 33m

Critical arithmetic

The consensus, allegedly.

IMDb

3.9 / 10

1.8K votes

Rotten Tomatoes

22 %

Tomatometer

Metacritic

29 / 100

Metascore

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In a sleepy mountain town, Cindy witnesses the murder of her parents by a blood-thirsty green figure in a red Santa suit. Twenty years later, the Christmas-hating monster begins to terrorize the town once more. Cindy finds new purpose in stopping the creature and saving the holiday.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mean One?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Steven LaMorte

Written by

Finn Kobler · Flip Kobler

David Howard Thornton

David Howard Thornton

The Mean One

Krystle Martin

Krystle Martin

Cindy

Chase Mullins

Chase Mullins

Officer Burke

J

John Bigham

Doc

E

Erik Baker

Sheriff Hooper

Amy Schumacher

Amy Schumacher

Mayor McBean

F

Flip Kobler

Lou

Court is in session

Put The Mean One on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.