The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Creepshow
Horror · Comedy · 1982
Five grisly tales from a 1950s-style comic, including a murdered father rising from beyond, a bizarre meteor, a vengeful husband, a mysterious crate's occupant, and a plague of cockroaches.
Movie details
Creepshow
“The most fun you'll ever have BEING SCARED!”
1982 Horror · Comedy 2h 0m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
Five grisly tales from a 1950s-style comic, including a murdered father rising from beyond, a bizarre meteor, a vengeful husband, a mysterious crate's occupant, and a plague of cockroaches.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Creepshow?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
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Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
George A. Romero
Written by
Stephen King
Hal Holbrook
Henry Northrup (segment "The Crate")
Adrienne Barbeau
Wilma Northrup (segment "The Crate")
Fritz Weaver
Dexter Stanley (segment "The Crate")
Leslie Nielsen
Richard Vickers (segment "Something To Tide You Over")
Carrie Nye
Sylvia Grantham (segment "Father's Day")
E.G. Marshall
Upson Pratt (segment "They're Creeping Up On You")
Viveca Lindfors
Aunt Bedelia (segment "Father's Day")
Court is in session
Put Creepshow on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.