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Mannequin

Mannequin

Comedy · Romance · Fantasy · 1987

Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.

Movie details

Mannequin

“Just because Jonathan's fallen in love with a piece of wood, it doesn't make him a dummy.”

1987 Comedy · Romance · Fantasy 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mannequin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Gottlieb

Written by

Edward Rugoff · Michael Gottlieb

Andrew McCarthy

Andrew McCarthy

Jonathan Switcher

Kim Cattrall

Kim Cattrall

Ema 'Emmy' Hesire

Estelle Getty

Estelle Getty

Claire Prince Timkin

James Spader

James Spader

Mr. Richards

G.W. Bailey

G.W. Bailey

Captain Felix Maxwell

Carole Davis

Carole Davis

Roxie Shield

Meshach Taylor

Meshach Taylor

Hollywood

Court is in session

Put Mannequin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.