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A Midsummer Night's Dream

A Midsummer Night's Dream

Fantasy · Comedy · Romance · 1999

Mistaken identity, unrequited love, and the supernatural are combined in Shakespeare's classic set in the woods of Greece on a moonlit night.

Movie details

A Midsummer Night's Dream

“Love makes fools of us all.”

1999 Fantasy · Comedy · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Mistaken identity, unrequited love, and the supernatural are combined in Shakespeare's classic set in the woods of Greece on a moonlit night.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Midsummer Night's Dream?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Owens sisters must confront the dark curse that threatens to unravel their family once and for all.

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Two of a Kind

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Kiss Me Goodbye

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Comedy · 1982

Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancée Rupert. But soon her worst expectations come true, when not only her old memories haunt her, but also Jolly's ghost, who doesn't approve of her new mate. Invisible to anyone but Kay, he tries to prevent the wedding.

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The Gnome-Mobile

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Yoh! Bestie

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Romance · 2026

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Names above the title

The people responsible.

Directed by

Michael Hoffman

Written by

Michael Hoffman

Kevin Kline

Kevin Kline

Nick Bottom

Michelle Pfeiffer

Michelle Pfeiffer

Titania

Rupert Everett

Rupert Everett

Oberon

Stanley Tucci

Stanley Tucci

Puck

Calista Flockhart

Calista Flockhart

Helena

Anna Friel

Anna Friel

Hermia

Christian Bale

Christian Bale

Demetrius

Court is in session

Put A Midsummer Night's Dream on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.