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A Midsummer Night's Dream

A Midsummer Night's Dream

Fantasy · Comedy · Romance · 1999

The lovely Hermia is to wed Demetrius, but she truly cares for Lysander. Hermia's friend, Helena, is in love with Demetrius, while other romantic entanglements abound in the woods, with married fairy rulers Titania and Oberon toying with various lovers and each other.

Movie details

A Midsummer Night's Dream

“Love makes fools of us all.”

1999 Fantasy · Comedy · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

The lovely Hermia is to wed Demetrius, but she truly cares for Lysander. Hermia's friend, Helena, is in love with Demetrius, while other romantic entanglements abound in the woods, with married fairy rulers Titania and Oberon toying with various lovers and each other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Midsummer Night's Dream?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Hoffman

Written by

Michael Hoffman

Kevin Kline

Kevin Kline

Nick Bottom

Michelle Pfeiffer

Michelle Pfeiffer

Titania

Rupert Everett

Rupert Everett

Oberon

Stanley Tucci

Stanley Tucci

Puck

Calista Flockhart

Calista Flockhart

Helena

Anna Friel

Anna Friel

Hermia

Christian Bale

Christian Bale

Demetrius

Court is in session

Put A Midsummer Night's Dream on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.