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Teen Witch

Teen Witch

Comedy · Fantasy · Romance · 1989

Louise is not very popular at her highschool. Then she learns that she's descended from the witches of Salem and has inherited their powers. At first she uses them to get back at the girls and teachers who teased her and to win the heart of the handsome footballer's captain. But soon she has doubts if it's right to 'cheat' her way to popularity.

Movie details

Teen Witch

“Fall under her spell.”

1989 Comedy · Fantasy · Romance 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Louise is not very popular at her highschool. Then she learns that she's descended from the witches of Salem and has inherited their powers. At first she uses them to get back at the girls and teachers who teased her and to win the heart of the handsome footballer's captain. But soon she has doubts if it's right to 'cheat' her way to popularity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Teen Witch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Dorian Walker

Written by

Vernon Zimmerman · Robin Menken

Robyn Lively

Robyn Lively

Louise Miller

Dan Gauthier

Dan Gauthier

Brad Powell

Joshua John Miller

Joshua John Miller

Richie Miller

Caren Kaye

Caren Kaye

Margaret Miller

Dick Sargent

Dick Sargent

Frank Miller

Lisa Fuller

Lisa Fuller

Randa

Amanda Ingber

Amanda Ingber

Polly

Court is in session

Put Teen Witch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.