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Chances Are

Chances Are

Fantasy · Comedy · Romance · 1989

Louie Jeffries is happily married to Corinne. On their first anniversary, Louie is killed crossing the road. Louie is reincarnated as Alex Finch, and twenty years later, fate brings Alex and Louie's daughter, Miranda, together. It's not until Alex is invited to Louie's home that he begins to remember his former life, wife and best friend. Of course, there's also the problem that he's attracted to Louie's/his own daughter.

Movie details

Chances Are

“Alex has a lifetime full of wonderful memories. Unfortunately, they're not his.”

1989 Fantasy · Comedy · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Louie Jeffries is happily married to Corinne. On their first anniversary, Louie is killed crossing the road. Louie is reincarnated as Alex Finch, and twenty years later, fate brings Alex and Louie's daughter, Miranda, together. It's not until Alex is invited to Louie's home that he begins to remember his former life, wife and best friend. Of course, there's also the problem that he's attracted to Louie's/his own daughter.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Chances Are?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Emile Ardolino

Written by

Randy Howze · Perry Howze

Cybill Shepherd

Cybill Shepherd

Corinne Jeffries

Robert Downey Jr.

Robert Downey Jr.

Alex Finch

Ryan O'Neal

Ryan O'Neal

Philip Train

Mary Stuart Masterson

Mary Stuart Masterson

Miranda Jeffries

Christopher McDonald

Christopher McDonald

Louie Jeffries

Josef Sommer

Josef Sommer

Judge Fenwick

Joe Grifasi

Joe Grifasi

Omar

Court is in session

Put Chances Are on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.