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Penelope

Penelope

Fantasy · Comedy · Romance · 2007

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soulmate when she's sequestered inside her family's estate with only her parents to keep her company? This untraditional fairy tale is about a girl who bucks convention to create her own happy ending.

Movie details

Penelope

“A fairytale like no other.”

2007 Fantasy · Comedy · Romance 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soulmate when she's sequestered inside her family's estate with only her parents to keep her company? This untraditional fairy tale is about a girl who bucks convention to create her own happy ending.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Penelope?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Disenchanted

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Names above the title

The people responsible.

Directed by

Mark Palansky

Written by

Leslie Caveny

Christina Ricci

Christina Ricci

Penelope Wilhern

James McAvoy

James McAvoy

Johnny/Max

Catherine O'Hara

Catherine O'Hara

Jessica Wilhern

Peter Dinklage

Peter Dinklage

Lemon

Richard E. Grant

Richard E. Grant

Franklin Wilhern

Reese Witherspoon

Reese Witherspoon

Annie

Simon Woods

Simon Woods

Edward Vanderman

Court is in session

Put Penelope on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.