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Bonnard, Pierre and Marthe

Bonnard, Pierre and Marthe

History · Romance · 2024

When French painter Pierre Bonnard met Marthe de Méligny, he didn’t know this self-proclaimed aristocrat would become the cornerstone of his life and work. From this moment, she became more than just a muse for the “painter of happiness”, appearing in more than a third of his work. Together, they reached their artistic fulfillment thanks to a colourful love, different from the standards of their time, nurturing the great mystery around their relationship. Based on a true story.

Movie details

Bonnard, Pierre and Marthe

2024 History · Romance 2h 2m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

When French painter Pierre Bonnard met Marthe de Méligny, he didn’t know this self-proclaimed aristocrat would become the cornerstone of his life and work. From this moment, she became more than just a muse for the “painter of happiness”, appearing in more than a third of his work. Together, they reached their artistic fulfillment thanks to a colourful love, different from the standards of their time, nurturing the great mystery around their relationship. Based on a true story.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bonnard, Pierre and Marthe?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martin Provost

Written by

Martin Provost

Vincent Macaigne

Vincent Macaigne

Pierre Bonnard

Cécile de France

Cécile de France

Marthe de Méligny

Anouk Grinberg

Anouk Grinberg

Misia

Stacy Martin

Stacy Martin

Renée

Grégoire Leprince-Ringuet

Grégoire Leprince-Ringuet

Vuillard

André Marcon

André Marcon

Monet

Philippe Richardin

Philippe Richardin

Maurice Denis

Court is in session

Put Bonnard, Pierre and Marthe on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.