“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The Pride and the Passion
War · History · Romance · 1957
During the Napoleonic Wars, when the French have occupied Spain, some Spanish guerrilla soldiers are going to move a big cannon across Spain in order to help the British defeat the French. A British officer is there to accompany the Spanish and along the way, he falls in love with the leader's girl.
The Pride and the Passion
“You have never seen its like -- and may never see its equal!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
During the Napoleonic Wars, when the French have occupied Spain, some Spanish guerrilla soldiers are going to move a big cannon across Spain in order to help the British defeat the French. A British officer is there to accompany the Spanish and along the way, he falls in love with the leader's girl.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Pride and the Passion?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Adrenaline Seeker
“If it slows down, you check your phone.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Stanley Kramer
Written by
Edna Anhalt · Edward Anhalt
Put The Pride and the Passion on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






