The defence The Arthouse Gremlin
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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The Hunchback of Paris
Adventure · History · 1959
Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.
Movie details
The Hunchback of Paris
1959 Adventure · History 1h 45m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Hunchback of Paris?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
André Hunebelle
Written by
Jean Halain · Pierre Foucaud · André Hunebelle
Jean Marais
Henri de Lagardère
Bourvil
Passepoil
Sabine Sesselmann
Aurore de Nevers / Isabelle de Caylus
François Chaumette
Philippe de Gonzague
Jean Le Poulain
Peyrolles
Hubert Noël
Philippe de Nevers
Paulette Dubost
Dame Marthe
Court is in session
Put The Hunchback of Paris on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.