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Melinda and Melinda

Melinda and Melinda

Comedy · Drama · Romance · 2004

While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

Movie details

Melinda and Melinda

“Life can be a comedy or a tragedy, it all depends on how you look at it.”

2004 Comedy · Drama · Romance 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Melinda and Melinda?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Woody Allen

Written by

Woody Allen

Chiwetel Ejiofor

Chiwetel Ejiofor

Ellis Moonsong

Will Ferrell

Will Ferrell

Hobie

Jonny Lee Miller

Jonny Lee Miller

Lee

Radha Mitchell

Radha Mitchell

Melinda Robicheaux

Amanda Peet

Amanda Peet

Susan

Chloë Sevigny

Chloë Sevigny

Laurel

Wallace Shawn

Wallace Shawn

Sy

Court is in session

Put Melinda and Melinda on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.