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The Phantom of the Opera

The Phantom of the Opera

Horror · Music · 1925

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Movie details

The Phantom of the Opera

“The greatest horror film of modern cinema!”

1925 Horror · Music 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Phantom of the Opera?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dracula

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Horror · 2022

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The Adventures of Ichabod and Mr. Toad

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Horror · 1949

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Fantasy · 1997

When young Lili's mother dies in childbirth, her father remarries Lady Claudia, a woman ruled by an evil mirror with the power to make her queen of all living things. After escaping an attempt on her life, Lili finds herself lost in a dark forest, where living happily ever after seems unlikely.

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Names above the title

The people responsible.

Directed by

Rupert Julian

Lon Chaney

Lon Chaney

Erik, The Phantom

Norman Kerry

Norman Kerry

Vicomte Raoul de Chagny

Mary Philbin

Mary Philbin

Christine Daaé

Arthur Edmund Carewe

Arthur Edmund Carewe

Ledoux

Gibson Gowland

Gibson Gowland

Simon Buquet

Snitz Edwards

Snitz Edwards

Florine Papillon

John St. Polis

John St. Polis

Comte Philip de Chagny

Court is in session

Put The Phantom of the Opera on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.