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Dracula

Dracula

Horror · 1958

After Jonathan Harker attacks Dracula at his castle, the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.

Movie details

Dracula

“Who will his bride be tonight?”

1958 Horror 1h 22m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

After Jonathan Harker attacks Dracula at his castle, the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one who may be able to protect them is Dr. van Helsing, Harker's friend and fellow-student of vampires, who is determined to destroy Dracula, whatever the cost.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dracula?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Dracula

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The Brides of Dracula

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A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house.

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X: The Unknown

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The Hound of the Baskervilles

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Names above the title

The people responsible.

Directed by

Terence Fisher

Written by

Jimmy Sangster

Peter Cushing

Peter Cushing

Doctor Van Helsing

Christopher Lee

Christopher Lee

Count Dracula

Michael Gough

Michael Gough

Arthur Holmwood

Melissa Stribling

Melissa Stribling

Mina Holmwood

Carol Marsh

Carol Marsh

Lucy Holmwood

Olga Dickie

Olga Dickie

Gerda

John Van Eyssen

John Van Eyssen

Jonathan Harker

Court is in session

Put Dracula on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.