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Tenor

Tenor

Comedy · Drama · Music · 2022

While working part-time as a food deliveryman, Antoine, an aspiring young rapper from the suburbs of Paris, meets Mrs. Loiseau, an eminent teacher at the Paris Opéra. Stunned by the young man's raw talent, she introduces him to the world of opera. As Antoine becomes one of Mrs. Loiseau's students, he hides his new dream from his friends and family, fearing that they won’t understand – this double life burdens him... Somewhere in between the gilded and uptight Parisian upper-class, and the harsh yet free-spirited and familiar suburbs he grew up in, Antoine will have to find his own voice.

Movie details

Tenor

2022 Comedy · Drama · Music 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

While working part-time as a food deliveryman, Antoine, an aspiring young rapper from the suburbs of Paris, meets Mrs. Loiseau, an eminent teacher at the Paris Opéra. Stunned by the young man's raw talent, she introduces him to the world of opera. As Antoine becomes one of Mrs. Loiseau's students, he hides his new dream from his friends and family, fearing that they won’t understand – this double life burdens him... Somewhere in between the gilded and uptight Parisian upper-class, and the harsh yet free-spirited and familiar suburbs he grew up in, Antoine will have to find his own voice.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tenor?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Zidi Jr.

Written by

Claude Zidi Jr. · Cyrille Droux · Raphaël Benoliel

MB14

MB14

Antoine Zerkaoui

Michèle Laroque

Michèle Laroque

Mme Loyseau

Guillaume Duhesme

Guillaume Duhesme

Didier

Marie Oppert

Marie Oppert

Joséphine

Maéva El Aroussi

Maéva El Aroussi

Samia

Louis de Lavignère

Louis de Lavignère

Maxime

Roberto Alagna

Roberto Alagna

Roberto Alagna

Court is in session

Put Tenor on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.