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Alice and the Mayor

Alice and the Mayor

Comedy · Drama · 2019

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

Movie details

Alice and the Mayor

2019 Comedy · Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Alice and the Mayor?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nicolas Pariser

Written by

Nicolas Pariser

Fabrice Luchini

Fabrice Luchini

Paul Theraneau

Anaïs Demoustier

Anaïs Demoustier

Alice Heimann

Nora Hamzawi

Nora Hamzawi

Mélinda

Léonie Simaga

Léonie Simaga

Isabelle Leinsdorf

Antoine Reinartz

Antoine Reinartz

Daniel

Maud Wyler

Maud Wyler

Delphine

Alexandre Steiger

Alexandre Steiger

Gauthier

Court is in session

Put Alice and the Mayor on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.