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Blind Date

Blind Date

Comedy · Romance · 1987

When bachelor Walter Davis is set up with his sister-in-law's pretty cousin, Nadia Gates, a seemingly average blind date turns into a chaotic night on the town. Walter's brother, Ted, tells him not to let Nadia drink alcohol, but he dismisses the warning and her behaviour gets increasingly wild. Walter and Nadia's numerous incidents are made even worse as her former lover David relentlessly follows them around town.

Movie details

Blind Date

“A date with her is every man's dream come true. And with dreams like her - who needs nightmares?”

1987 Comedy · Romance 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

When bachelor Walter Davis is set up with his sister-in-law's pretty cousin, Nadia Gates, a seemingly average blind date turns into a chaotic night on the town. Walter's brother, Ted, tells him not to let Nadia drink alcohol, but he dismisses the warning and her behaviour gets increasingly wild. Walter and Nadia's numerous incidents are made even worse as her former lover David relentlessly follows them around town.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blind Date?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Blake Edwards

Written by

Dale Launer

Kim Basinger

Kim Basinger

Nadia Gates

Bruce Willis

Bruce Willis

Walter Davis

John Larroquette

John Larroquette

David Bedford

William Daniels

William Daniels

Harold Bedford

George Coe

George Coe

Harry Gruen

Mark Blum

Mark Blum

Denny Gordon

Phil Hartman

Phil Hartman

Ted Davis

Court is in session

Put Blind Date on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.