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The Sword in the Stone

The Sword in the Stone

Animation · Family · Fantasy · 1963

Wart is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for him beyond mere squiredom. He starts by trying to give him an education, believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.

Movie details

The Sword in the Stone

“Tired of living in a Medieval mess... Merlin uses all his magic powers to change a scrawny little boy into a legendary hero!”

1963 Animation · Family · Fantasy 1h 19m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Wart is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for him beyond mere squiredom. He starts by trying to give him an education, believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Sword in the Stone?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Wolfgang Reitherman

Written by

Bill Peet

Sebastian Cabot

Sebastian Cabot

The Narrator/Sir Ector (voice)

Karl Swenson

Karl Swenson

Merlin (voice)

Junius Matthews

Junius Matthews

Archimedes the Owl (voice)

Martha Wentworth

Martha Wentworth

Madam Mim / Old Lady Squirrel (voice)

Norman Alden

Norman Alden

Kay (voice)

Rickie Sorensen

Rickie Sorensen

Wart (voice)

Ginny Tyler

Ginny Tyler

Little Girl Squirrel (voice)

Court is in session

Put The Sword in the Stone on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.