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Bedknobs and Broomsticks

Bedknobs and Broomsticks

Family · Animation · Fantasy · 1971

Three children evacuated from London during World War II are forced to stay with an eccentric spinster. The children's initial fears disappear when they find out she is in fact a trainee witch.

Movie details

Bedknobs and Broomsticks

“You'll beWITCHED! You'll beDAZZLED! You'll be swept into a world of enchantment BEYOND ANYTHING BEFORE!”

1971 Family · Animation · Fantasy 1h 57m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Three children evacuated from London during World War II are forced to stay with an eccentric spinster. The children's initial fears disappear when they find out she is in fact a trainee witch.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bedknobs and Broomsticks?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Robert Stevenson

Written by

Don DaGradi · Bill Walsh · Ralph Wright · Ted Berman

Angela Lansbury

Angela Lansbury

Miss Price

David Tomlinson

David Tomlinson

Emelius

Roddy McDowall

Roddy McDowall

Mr. Jelk

Sam Jaffe

Sam Jaffe

Bookman

John Ericson

John Ericson

Col. Heller

Bruce Forsyth

Bruce Forsyth

Swinburne

C

Cindy O'Callaghan

Carrie

Court is in session

Put Bedknobs and Broomsticks on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.