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A Thousand and One Nights

A Thousand and One Nights

Animation · Drama · Fantasy · 1969

Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.

Movie details

A Thousand and One Nights

1969 Animation · Drama · Fantasy 2h 8m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Thousand and One Nights?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Eiichi Yamamoto

Written by

Osamu Tezuka · Hiroyuki Kumai · Kazuo Fukasawa

Y

Yukio Aoshima

Aladdin / Sinbad (voice)

Kyôko Kishida

Kyôko Kishida

Miriam / Jaris (voice)

Hiroshi Akutagawa

Hiroshi Akutagawa

Badli (voice)

Haruko Katō

Haruko Katō

Genie (voice)

Isao Hashizume

Isao Hashizume

Aslan (voice)

N

Noboru Mitsuya

Djinn (voice)

Asao Koike

Asao Koike

Kamarkim (voice)

Court is in session

Put A Thousand and One Nights on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.