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Urotsukidōji III: Return of the Overfiend

Urotsukidōji III: Return of the Overfiend

Animation · Horror · Fantasy · 1993

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

Movie details

Urotsukidōji III: Return of the Overfiend

1993 Animation · Horror · Fantasy 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Urotsukidōji III: Return of the Overfiend?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Urotsukidōji: Legend of the Overfiend

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Names above the title

The people responsible.

Directed by

Hideki Takayama

Written by

Toshio Maeda

Tsutomu Kashiwakura

Tsutomu Kashiwakura

Idaten (voice)

Yoshio Kawai

Yoshio Kawai

Gashim / Caesar’s colleague (voice)

Hirotaka Suzuoki

Hirotaka Suzuoki

Narrator / Chojin (voice)

Y

Yumi Takada

Megumi Amano / Akemi Ito / Alecto (voice)

Yasunori Matsumoto

Yasunori Matsumoto

Buju (voice)

Ryuuzaburou Ootomo

Ryuuzaburou Ootomo

Caesar (voice)

M

Miyuki Matsushita

Kyo-O / Himi (voice)

Court is in session

Put Urotsukidōji III: Return of the Overfiend on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.