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November

November

Crime · Drama · Thriller · 2022

In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred face an unprecedented level of pressure. In a race against the clock, they must find the perpetrators of the attacks as quickly as possible before they can strike again, travelling across Europe and beyond in one of the biggest manhunts in history.

Movie details

November

2022 Crime · Drama · Thriller 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred face an unprecedented level of pressure. In a race against the clock, they must find the perpetrators of the attacks as quickly as possible before they can strike again, travelling across Europe and beyond in one of the biggest manhunts in history.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over November?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Le Samouraï

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An unassuming mechanic is reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor.

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Remember

Remember

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With the aid of a fellow Auschwitz survivor and a hand-written letter, an elderly man with dementia goes in search of the person responsible for the death of his family.

Case 137

Case 137

Crime · 2025

Stéphanie, a police officer working for Internal Affairs, is assigned to a case involving a young man severely wounded during a tense and chaotic demonstration in Paris. While she finds no evidence of illegitimate police violence, the case takes a personal turn when she discovers the victim is from her hometown.

A Gang Story

A Gang Story

Crime · 2011

After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life - for stealing cherries. The two of them inevitably got involved in organized crime. The team they formed, the Ganf Des Lyonnais, made them the most notorious armed robbers of the early 1970s. Their irresistible rise ended in 1974 with a spectacular arrest. Today, as he nears 60, Momon would like to forget that part of his life. He has found peace by retiring from the "business". He tends to his wife Janou, who suffered so in the past, and to his children and grandchildren, all of whom have great respect for this man of simple and universal values, so clear-headed and full of kindness. But then Serge Suttel, who has disowned nothing of his past, comes back into the picture.

Mothers' Instinct

Mothers' Instinct

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When a sudden tragedy uproots the lives of two women and their families, they begin to question the relationships they once held so dear.

Just a Breath Away

Just a Breath Away

Drama · 2018

When a deadly mist engulfs Paris, people find refuge in the upper floors of the buildings. With no information, no electricity and hardly any supplies, Mathieu, Anna and their daughter Sarah try to survive the disaster.

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Names above the title

The people responsible.

Directed by

Cédric Jimenez

Written by

Olivier Demangel

Jean Dujardin

Jean Dujardin

Fred

Anaïs Demoustier

Anaïs Demoustier

Inès Moreau

Sandrine Kiberlain

Sandrine Kiberlain

Héloïse

Jérémie Renier

Jérémie Renier

Marco

Lyna Khoudri

Lyna Khoudri

Samia

Cédric Kahn

Cédric Kahn

Martin

Sofian Khammes

Sofian Khammes

Foued

Court is in session

Put November on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.